Syaloom

Selamat datang bagi pengunjung blog ini, terima kasih atas kunjungan anda pada blog ini anda dapat download lagu-lagu rohani khusus quartet (male or ladies) termasuk partitur yang kami telah sediakan.

Blog ini khusus saya buat untuk membantu teman-teman yang mempunyai hobi menyanyi lagu-lagu rohani tetapi pada saat tertentu tidak mempunyai cukup partiture. Dan sesuai dengan judulnya maka blog ini khusus dibuat untuk quartet grup vokal, apakah itu male quartet atau ladies quartet.

Banyak orang didunia ini dan hampir semua orang yang ada di jagad raya ini menyukai musik. Sebab itu saya ingin mengajak semua teman-teman yang ingin partisipasi dalam blog ini saya persilahkan untuk memberi saran dan bahan untuk memajukan grup-grup quartet. Sering kita menyanyikan sebuah lagu dengan baik dan pendengar cuma menyukai harmoninya saja tetapi pekabaran dalam lagu itu sendiri tidak didapat karena pendengar tersebut tidak mengerti bahasa yang dinyanyikan dalam lagu tersebut untuk itu melalui blog ini saya sekali lagi mengajak siapapun untuk urung rembuk agar blog ini disukai dan dapat bermafaat buat kita semua.

Untuk itu saya akan mencoba untuk mentransfer dari partiture aslinya kedalam bahasa Indonesia. Shalom regards,

GBU
E. Nanlohy



TRANSLATORS...

Kamis, 11 Agustus 2011

YO Se A DONDE VOY - I KNOW WHERE I'M GOING

YO HE DE ESTAR LISTO - WALKING IN JERUSALEM

VEN, OH SENOR


PARTITUR:
Ven, Oh Senor 
Music:
Ve,Oh Senor.mp3


VENID SIERVOS DE DIOS - RISE UP, O MEN OF GOD.

A TUS PIES


PARTITUR:
A Tus Pies
Music:
A Tus Pies.mp3

A CRISTO DOY MI CANTO - I SHALL SING FOR JESUS

A Ti GLORIOSO DIOS - NOW THANKS WE ALL OUR GOD OU

ALL GET TOGETHER

WHISPERING HOPE


Alice Hawthorne, 1902
 
PARTITUR:
Whispering Hope.

MP3:  Whispering Hope.


Alice Hawthorne
Born: May 11, 1827, Phil­a­del­phia, Penn­syl­van­ia.
Died: No­vem­ber 22, 1902, Phil­a­del­phia, Penn­syl­van­ia.
Buried: Phil­a­del­phia. Penn­syl­van­ia.
Winner was a well known po­et, com­pos­er and vi­o­lin­ist. A self taught mu­si­cian, he al­so ran a mu­sic store, gave les­sons on var­i­ous in­stru­ments, and played in the Phil­a­del­phia Brass Band and Ce­ci­lian Mu­sic­al So­ci­ety. He wrote or ed­it­ed over 200 vol­umes of mu­sic, for more than 20 in­stru­ments, and pro­duced 2,000 ar­range­ments for vi­o­lin and pi­a­no.

SI' DOWN, SERVANT.

SAVIOUR THY DYING LOVE

Dr. Robert Lowry, 1872

PARTITUR:
Saviour Thy Dying Love.

MP3:   SAVIOR THY DYING LOVE.



RISE AND SHINE


PARTITURE:
Rise And Shine.

MP3:   Rise and Shine.



REJOICE THE LORD IS KING

HISTORIA HERALD

Primera Formatión:
   1927 - 1937

    Primer Tenor: Lewis Crane.
     Segundo Tenor:
Waldo Crane.
     Bariton:
Wesley Crane.
     Bass:
Ray Turner.



Seconds Formatión:
  1939 - 1940.
  
    Primer Tenor: Bob Johnson
     Second Tenor: Vernon Stuart
     Bariton: Wesley Crane
     Bass: Ray Turner



Third Formatión:
   1940 - 1941.

    Primer Tenor: Bob Johnson.
     Second Tenor:
Ralph Simpson.
     Bariton:
Wesley Crane.
     Bass:
Ray Turner.



Cuarta Formación:

   1941 - 1943.

     Primer Tenor: George Casebeer.
     Segundo Tenor:
Bob Seamount.
     Bariton:
Wesley Crane.
     Bass:
Ray Turner.


Quinta Formación:
    1944.

     Primer Tenor: George Casebeer.
     Segundo Tenor:
Bob Seamount.
     Bariton:
Wayne Hooper.
     Bass:
Ray Turner.



Sexta Formación:
   1944 - 1947.
     Primer Tenor: Ben Glanzer.
     Segundo Tenor:
Bob Seamount.
     Bariton:
Wayne Hooper.
     Bass:
Ray Turner.



Octava Formación:
   1948.   
     Primer Tenor: Bob Edwards.
     Segundo Tenor: Ben Glanzer.
     Baritono: Richard Lang.
     Bajo: Jerry Dill.

 
Décima Formación:
   1949.

     Primer Tenor: Elwyn Ardourel.
     Segundo Tenor: Frank Dietrich.
     Bariton: Jerry Dill.
     Bass: Joe Melashenko.

Décimo Primera Formación:
   1949 - 1961. 

          Primer Tenor: Bob Edwards.
          Segundo Tenor:
Bob Seamount.
          Bariton:
Wayne Hooper.
          Bass:
Jerry Dill.


      
Con Del Delker.


     














 Décimo Segunda Formación:
     1961 - 1962.

     Primer Tenor: Bob Edwards.
     Segundo Tenor:
John Thurber.
     Bariton:
Wayne Hooper.
     Bass:
Jerry Dill.



Décimo Tercera Formación:
    1962 - 1967.

      Primer Tenor: Bob Edwards.
      Segundo Tenor: John Thurber.
      Bariton: Jack Veazey.
      Bass: Jim McClintock.




Décimo Cuarta Formación:
   1967 - 1971.

      Primer Tenor: Bob Edwards.
      Second Tenor: Jerry Patton.
      Baritono: Jack Veazey.
      Bajo: Jim McClintock


Décimo Quinta Formación:   
     1971 - 1977.    

        Primer Tenor: John Ramsey.
        Segundo Tenor:
Jerry Patton.
        Bariton:
Jack Veazey.
        Bass:
Jim McClintock.



Décimo Sexta Formación:
    1977 - 1983.


     Primer Tenor: John Ramsey.
     Segundo Tenor:
Jerry Patton.
     Baritono:
Jack Veazey.
     Bajo:
Jim Ayars.



Décimo Séptima Formación:
    1983 - 1997.

     Primer Tenor: Don Scroggs.
     Segundo Tenor:
Jerry Patton.
     Bariton:
Jack Veazey.
     Bass:
Jim Ayars.



Décima Octava Formación:     
   1997 - 2002.
 

     Primer Tenor: Don Scroggs.
     Segundo Tenor:
Jerry Patton.
     Bariton:
Steve Laing.
     Bass:
Jim Ayars.


Décimo Novena Formación:
    2002 - 2004.

     Primer Tenor: Don Scroggs.
     Segundo Tenor: Jerry Patton.
     Bariton: Russell Hospedales.
     Bass: Jim Ayars.



Vigésima Formación:
    2005 - Presente.

     Primer Tenor: Don Scroggs.
     Segundo Tenor: Joel Borg.
     Bariton: Russell Hospedales.
     Bass: Jeff Pearles.



 



WAYNE HOOPER

 
 
Hooper sang bar­itone with the King’s Quar­tet group for 18 years, and ar­ranged and com­posed mu­sic for the group for 33 years. He taught mu­sic at the Por­tland (Ore­gon) Acad­e­my and Un­ion Coll­ege, Lin­coln, Ne­bras­ka; served as mu­sic­al di­rect­or of the Voice of Pro­phe­cy broad­cast; di­rect­ed de­vel­op­ment and mar­ket­ing for Ho­san­na House; did ar­rang­ing and or­ches­tra­tion for Cha­pel Re­cords; was mu­sic­al co-ed­it­or of the 1985 Sev­enth-day Ad­vent­ist hymn­al; and co-au­thored the Com­pan­ion to the SDA Hymn­al. An­drews and La Si­er­ra Un­i­ver­si­ties award­ed hon­or­a­ry doc­tor of mu­sic de­grees to him.


Born: July 4, 1920, Lit­tle Rock, Arkansas.
Died: February 28, 2007, at his home in Thou­sand Oaks, California.

 

Wayne Hooper: A Celebration of Life

"celebration of a lifetime" in honor of Wayne Hooper (1920-2007), perhaps the most famous Adventist musician in our denominational history. For me Hooper is a complicated individual who was extremely talented on the one hand and who loved the Voice of Prophecy, but who was far from perfect as highlighted in the memorial service--someone who knew how to pinch every last penny (as Del Delker said yesterday, a "tight wad") and who had a temper. Listening to the service helped me understand some of the things I had heard about him--a paranoia that others in the church were trying to take advantage of his musical talent by not giving him enough money for his royalties, and even my personal experience with him when he changed his mind about doing an oral history because I would try to control or make money off his memoirs (a rather preposterous idea!). Regardless, for those interested in Adventist history, for biographical purposes, a lot could be gleaned yesterday just by watching and listening. Here are a few interesting tidbits:
 
(1) Hooper was one of the original members of H. M. S. Richards' "King's Heralds" quartet. He was the last surviving member of the original group and his death, according to Lonnie Melashenko, represents the "end of an era."
(2) His musical talent was extraordinary. During the service his songs and photography were demonstrated. One recording featured Hooper singing all four parts. Del Delker couldn't believe that Hooper actually sang the soprano part, a difficult piece to sing--even for her. It is also interesting to observe the relationship between Hooper and Delker, the latter describing the former as her mentor and teacher.
(3) The famous song "We Have This Hope" was composed for the 1962 GC Session and has been played for more than half the subsequent GC sessions (including the most recent one held in St. Louis in 2005).
(4) Hooper's style of quartet arrangement, known as the "Hooper style" reflects his unique contribution to this particular genre of music.
(5) Hooper is probably responsible more than any other single person for the current hymnal sitting in the pew of most churches throughout the Seventh-day Adventist Church (brought out in 1985). He also authored the "Companion to the SDA Hymnal" with helpful commentaries (I've used it on a number of occasions).
(6) Hooper was responsible for over 1500 arrangements and compositions. Several including "We Have This Hope" appear in the SDA Hymnal.




NOTHING BETWEEN.

Arr. by: Wayne Hooper (1999)
PARTITUR:
Nothing Between.

MP3:  Nothing Between.


Hooper sang bar­itone with the King’s Quar­tet group for 18 years, and ar­ranged and com­posed mu­sic for the group for 33 years. He taught mu­sic at the Por­tland (Ore­gon) Acad­e­my and Un­ion Coll­ege, Lin­coln, Ne­bras­ka; served as mu­sic­al di­rect­or of the Voice of Pro­phe­cy broad­cast; di­rect­ed de­vel­op­ment and mar­ket­ing for Ho­san­na House; did ar­rang­ing and or­ches­tra­tion for Cha­pel Re­cords; was mu­sic­al co-ed­it­or of the 1985 Sev­enth-day Ad­vent­ist hymn­al; and co-au­thored the Com­pan­ion to the SDA Hymn­al. An­drews and La Si­er­ra Un­i­ver­si­ties award­ed hon­or­a­ry doc­tor of mu­sic de­grees to him.

Born: July 4, 1920, Lit­tle Rock, Arkansas.
Died: February 28, 2007, at his home in Thou­sand Oaks, California.


MASTER DESIGNER


PARTITUR:
Master Designer.

MP3:   MASTER DESIGNER.


KEEP A INCHING ALONG

JESU, WORD OF GOD INCARNATE


PARTITUR:
Jesu, Word Of God Incarnate 

MP3:  Jesu, Word On God Incarnate.



Ave Verum (Jesu, Word of God Incarnate) by Wolfgang Amadeus Mozart (1756-1791). Choir Sacred. SATB choir. Choral (Sacred); Choral Octavo; Masterworks; Worship Resources. H.W. Gray. Classical; Lent; Masterwork; Sacred; Spring. Grade 3. Choral Octavo. 12 pages. Published by Alfred Music Publishing (AP.GCMR03147).



IVORY PALACES

Words & Music by: Hen­ry Bar­ra­clough, 1915

PARTITUR:
Ivory Palaces

MP3:   Ivory Palace


My Lord has garments so wondrous fine,
And myrrh their texture fills;
Its fragrance reached to this heart of mine
With joy my being thrills.

Refrain
Out of the ivory palaces,
Into a world of woe,
Only His great eternal love
Made my Savior go.

His life had also its sorrows sore,
For aloes had a part;
And when I think of the cross He bore,
My eyes with teardrops start.

Refrain
His garments too were in cassia dipped,
With healing in a touch;
Each time my feet in some sin have slipped,
He took me from its clutch.

Refrain
In garments glorious He will come,
To open wide the door;
And I shall enter my heav’nly home,
To dwell forevermore.

Refrain



All Your robes are fragrant with myrrh and aloes and cassia; from palaces adorned with ivory the music of the strings makes You glad.  Psalm 45:8

[This song] was writ­ten ve­ry near to my home in the mount­ains of North Car­o­li­na. In the sum­mer of 1915 the fa­mous evan­gel­ist Dr. J. Wil­bur Chap­man was preach­ing at the Pres­by­ter­i­an con­fer­ence grounds at Mon­treat. With him were the song­lead­er Charles M. Al­ex­an­der, so­lo­ist Al­bert Brown, and their pi­an­ist Hen­ry Bar­ra­clough. Bar­ra­clough, the au­thor of this hymn, was a twen­ty-four-year-old Bri­tis­her; he had met Chap­man the pre­vi­ous year dur­ing a preach­ing miss­ion in Eng­land.
During the con­fer­ence, the evan­gel­ist spoke one even­ing on the for­ty-fifth Psalm [in 1893, Chap­man had writ­ten a book called Ivo­ry Pal­ac­es of the King]. He be­lieved, as I do, that this is a pro­phe­tic, “Mes­si­an­ic” psalm which speaks of the re­la­tion­ship of Christ, the brideg­room, to his bride, the church…
After the ev­en­ing ser­vice, Char­lie Al­ex­an­der and Hen­ry Bar­ra­clough drove some friends to the Blue Ridge YMCA Hos­tel a few miles away. Sit­ting in the front seat of the car, young Bar­ra­clough thought about the mes­sage and the four short phras­es of the re­frain be­gan to take shape in his mind. When they stopped at a lit­tle vil­lage store, he quick­ly wrote them down on a vi­sit­ing card— the only pa­per that was avail­a­ble. Re­turn­ing to the con­fer­ence hotel, he worked out the first three stan­zas, us­ing the out­line of Chap­man’s message. The fol­low­ing morn­ing Mrs. Al­ex­an­der and Mr. Brown sang the new hymn in the Mont­reat con­fer­ence sess­ion.
(Billy Graham, in Barrows, p. 25)


GREAT IS THY FAITHFULNESS

Selasa, 09 Agustus 2011

Sangat Besar AnugrahMu - Amazing Grace

Kesukaan Bagi Dunia - Joy To The World

Ku Kasih Pada Mu - My Jesus, I Love Thee

Kasihku Pada Mu Tambahkanlah - More Love To Thee

Hai Betlehem Yang Senyap - O Little Town Of Betlehem

Bri Aku Jalan Serta Mu - O Let Me Walk With Thee

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