Syaloom

Selamat datang bagi pengunjung blog ini, terima kasih atas kunjungan anda pada blog ini anda dapat download lagu-lagu rohani khusus quartet (male or ladies) termasuk partitur yang kami telah sediakan.

Blog ini khusus saya buat untuk membantu teman-teman yang mempunyai hobi menyanyi lagu-lagu rohani tetapi pada saat tertentu tidak mempunyai cukup partiture. Dan sesuai dengan judulnya maka blog ini khusus dibuat untuk quartet grup vokal, apakah itu male quartet atau ladies quartet.

Banyak orang didunia ini dan hampir semua orang yang ada di jagad raya ini menyukai musik. Sebab itu saya ingin mengajak semua teman-teman yang ingin partisipasi dalam blog ini saya persilahkan untuk memberi saran dan bahan untuk memajukan grup-grup quartet. Sering kita menyanyikan sebuah lagu dengan baik dan pendengar cuma menyukai harmoninya saja tetapi pekabaran dalam lagu itu sendiri tidak didapat karena pendengar tersebut tidak mengerti bahasa yang dinyanyikan dalam lagu tersebut untuk itu melalui blog ini saya sekali lagi mengajak siapapun untuk urung rembuk agar blog ini disukai dan dapat bermafaat buat kita semua.

Untuk itu saya akan mencoba untuk mentransfer dari partiture aslinya kedalam bahasa Indonesia. Shalom regards,

GBU
E. Nanlohy



TRANSLATORS...

Kamis, 11 Agustus 2011

NOTHING BETWEEN.

Arr. by: Wayne Hooper (1999)
PARTITUR:
Nothing Between.

MP3:  Nothing Between.


Hooper sang bar­itone with the King’s Quar­tet group for 18 years, and ar­ranged and com­posed mu­sic for the group for 33 years. He taught mu­sic at the Por­tland (Ore­gon) Acad­e­my and Un­ion Coll­ege, Lin­coln, Ne­bras­ka; served as mu­sic­al di­rect­or of the Voice of Pro­phe­cy broad­cast; di­rect­ed de­vel­op­ment and mar­ket­ing for Ho­san­na House; did ar­rang­ing and or­ches­tra­tion for Cha­pel Re­cords; was mu­sic­al co-ed­it­or of the 1985 Sev­enth-day Ad­vent­ist hymn­al; and co-au­thored the Com­pan­ion to the SDA Hymn­al. An­drews and La Si­er­ra Un­i­ver­si­ties award­ed hon­or­a­ry doc­tor of mu­sic de­grees to him.

Born: July 4, 1920, Lit­tle Rock, Arkansas.
Died: February 28, 2007, at his home in Thou­sand Oaks, California.


MASTER DESIGNER


PARTITUR:
Master Designer.

MP3:   MASTER DESIGNER.


KEEP A INCHING ALONG

JESU, WORD OF GOD INCARNATE


PARTITUR:
Jesu, Word Of God Incarnate 

MP3:  Jesu, Word On God Incarnate.



Ave Verum (Jesu, Word of God Incarnate) by Wolfgang Amadeus Mozart (1756-1791). Choir Sacred. SATB choir. Choral (Sacred); Choral Octavo; Masterworks; Worship Resources. H.W. Gray. Classical; Lent; Masterwork; Sacred; Spring. Grade 3. Choral Octavo. 12 pages. Published by Alfred Music Publishing (AP.GCMR03147).



IVORY PALACES

Words & Music by: Hen­ry Bar­ra­clough, 1915

PARTITUR:
Ivory Palaces

MP3:   Ivory Palace


My Lord has garments so wondrous fine,
And myrrh their texture fills;
Its fragrance reached to this heart of mine
With joy my being thrills.

Refrain
Out of the ivory palaces,
Into a world of woe,
Only His great eternal love
Made my Savior go.

His life had also its sorrows sore,
For aloes had a part;
And when I think of the cross He bore,
My eyes with teardrops start.

Refrain
His garments too were in cassia dipped,
With healing in a touch;
Each time my feet in some sin have slipped,
He took me from its clutch.

Refrain
In garments glorious He will come,
To open wide the door;
And I shall enter my heav’nly home,
To dwell forevermore.

Refrain



All Your robes are fragrant with myrrh and aloes and cassia; from palaces adorned with ivory the music of the strings makes You glad.  Psalm 45:8

[This song] was writ­ten ve­ry near to my home in the mount­ains of North Car­o­li­na. In the sum­mer of 1915 the fa­mous evan­gel­ist Dr. J. Wil­bur Chap­man was preach­ing at the Pres­by­ter­i­an con­fer­ence grounds at Mon­treat. With him were the song­lead­er Charles M. Al­ex­an­der, so­lo­ist Al­bert Brown, and their pi­an­ist Hen­ry Bar­ra­clough. Bar­ra­clough, the au­thor of this hymn, was a twen­ty-four-year-old Bri­tis­her; he had met Chap­man the pre­vi­ous year dur­ing a preach­ing miss­ion in Eng­land.
During the con­fer­ence, the evan­gel­ist spoke one even­ing on the for­ty-fifth Psalm [in 1893, Chap­man had writ­ten a book called Ivo­ry Pal­ac­es of the King]. He be­lieved, as I do, that this is a pro­phe­tic, “Mes­si­an­ic” psalm which speaks of the re­la­tion­ship of Christ, the brideg­room, to his bride, the church…
After the ev­en­ing ser­vice, Char­lie Al­ex­an­der and Hen­ry Bar­ra­clough drove some friends to the Blue Ridge YMCA Hos­tel a few miles away. Sit­ting in the front seat of the car, young Bar­ra­clough thought about the mes­sage and the four short phras­es of the re­frain be­gan to take shape in his mind. When they stopped at a lit­tle vil­lage store, he quick­ly wrote them down on a vi­sit­ing card— the only pa­per that was avail­a­ble. Re­turn­ing to the con­fer­ence hotel, he worked out the first three stan­zas, us­ing the out­line of Chap­man’s message. The fol­low­ing morn­ing Mrs. Al­ex­an­der and Mr. Brown sang the new hymn in the Mont­reat con­fer­ence sess­ion.
(Billy Graham, in Barrows, p. 25)


GREAT IS THY FAITHFULNESS

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